After buying the spiffy new camera, the first accessory most photographers want to get their hands on is a mighty new lens.

It ain’t necessarily so.

This is a list of things photographers should buy in order to improve their sales. It is in the order of our suggested priorities at fotoLibra.

Remember, as a picture library / stock agency we’re not necessarily reading from the same page as our photographer friends. Most photographers want to create beautiful, stunning images, and of course we want to see those as well, but above all we want photographs that sell.

And if that interests you, then here is what we suggest you need to acquire.

  1. A decent DSLR or large format digital camera. The make is unimportant, as long as you’re comfortable with it. One famous old tip to get comfortable is to put the camera in a bag, then put your hands in and spend days looking odd and learning how to use it blindfold. Feel your way round the apparatus. Learn to use it without thinking, so it becomes an automatic, natural extension of your eye. Nowadays the camera back should deliver a minimum of 12 mexapixels.
  2. Adobe Photoshop, Elements, Corel Draw, GIMP, Irfanview or some other photo editing software. This is your digital darkroom. You must always shoot in RAW and then post process. It’s no use having a digital camera without photo editing software.
  3. A tripod. Your hands shake, I promise you.
  4. A subscription to fotoLibra. “Yeah, yeah, what a surprise,” you smile, but this is where you get regular lists of the photographs that buyers need, hints, tips, blogs and newsletters. A huge amount of storage space for your images. And all your sales and back office admin taken care of, leaving you to get on with pressing that shutter.
  5. Lighting, unless you plan only to photograph landscapes by available light (a very small market). At the very least, a separate and moveable flash unit. The flash built in to the camera is strictly for amateurs.
  6. A large roll of white paper to act as a neutral background, such as this. Professional picture buyers like plain backgrounds and cut outs. Cut outs are virtually impossible to achieve successfully without starting with a plain background.
  7. And of course Goalposts, on which you put the paper. You get to move them, as well. Properly called a “background support system’. Here’s one.
  8. Books from the fotoLibra Bookshop. I like the intelligent and elegantly designed Rocky Nook titles. You will never, ever stop learning as a photographer. Even Snowdon, one of the twentieth century’s most famous photographers, admits he’s still learning at eighty.
  9. Photography courses, such as those offered by Nick Jenkins at Freespirit Images. You will learn tricks and techniques which would never have occurred to you on your own.
  10. Apple Aperture or Adobe Lightroom. Post processing taken to new heights. I know it will hurt to spend money on bits and bytes before lovely, smooth, hefty glass and metal, but would you prefer to collect kit, or make a name for yourself as a photographer?

NOW you can start to splash out on more expensive lenses, camera bags and all that other non-essential kit. But armed with the Top Ten, you will have what you need to take photographs that SELL.

And my lens suggestion for when you finally buy a second?

Go for the widest aperture you can afford.

And if you don’t agree with this list, please post your own in the Comments!

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Leave a Reply for Linda Erhart

 

5 Responses to “What You Should Buy In Order To Sell”

  1. Ken Cox says:

    I would have thought item 1 could be film as well as digital, since there is lots of good equipment owned by photographers (or available at reasonable prices).

  2. Gwyn Headley says:

    Yes it could be, but the end result would have to be scanned to be uploaded to fotoLibra. We sell digital image rights. None of our customers has ever asked us to supply an image as a transparency, negative or print. The list is in the order of our suggested priorities at fotoLibra.

  3. Jim Walker says:

    I agree with most of your points. The one that I had not thought of was the White background material. I have done cutouts, and admitedly it would be easier from the beginning with a white background.

  4. Linda Erhart says:

    Could you elaborate a little more on the lighting. Moveable lighting – a slave flash or soft box? I need to take a step in that direction, but get lost in the multitude of items available. Thank you.

  5. Gwyn Headley says:

    I’ll try Linda, but I’m at the Frankfurt Book Fair for the next week trying to sell your and other members’ photographs. So I’ll get back to you when I return, although I’m a fotoLibrarian rather than a photographer. I will ask around for you.